The Last Supper by Andrea del Castagno, Leonardo, Tintoretto Essay

The Last Supper by Andrea del Castagno, Leonardo, Tintoretto - Essay ExampleThe essay The Last Supper by Andrea del Castagno, Leonardo, Tintoretto compares three paintings - Andrea del Castagno, The Last Supper,1447 Leonardo, The Last supper, 1495-98 Tintoretto, The Last Supper, 1594. Del Castagnos painting is hotshot of the most distinct. It has a flat style, sharp angles and corners. All of this is in contrast with predominant style during the renaissance. This painting has no motion, no movement, and creates the sense in the viewer that they are looking into a sunken set of figurines. This static portrayal of Christ reinforces his importance historically. There is also something that recalls a Roman fresco close the piece, which also reinforces Christ as a historical figure set into a particular time and place, with historical importance. Da Vincis rendition of the ratiocination supper does not attempt to depict Christ in historical lights. This image attempts to cast Christ i n a more valet light. Da Vincis remnant supper does not give Christ any particular sign of super-humanness, with only the wisp of a cloud suggesting a halo. Christ is given a position of importance, pickings up the central portion of the image almost in its entirety, but there is nothing else that would overly separate him from the apostles. His clothing is similar in carcass and colour, he is not placed above the rest, nor does he have any sign of super-human lighting. Overall Da Vincis image depicts Christ in his humanity, reinforcing his human side and diminishing the supernatural.